The DIY’s and Wherefores of Red Pants…

There is an indelible homespun warmth that surrounds the work of Madison, Wisconsin based artist Jason Lambeth. From family oriented DIY music videos to the sketches and collages shaped so beautifully into handcrafted zines, Lambeth has established himself not only as a key figure in the underground independent scene, but as a rather splendid human being to boot.

With layers of droning guitars and psychedelic keys building a home for his softly sung melodies, and the propulsive rhythms of bandmate Elsa Nekola driving the music ever forward, Lambeth’s noise-rock project Red Pants are about to release their strongest work to date, and first to be pressed to vinyl.

New album Not Quite There Yet arrives October 27th via Meritorio Records, and ahead of its release Jason very kindly agreed to answer some questions for heavymetalkids.uk:


Hi Jason, thank you for talking to heavymetalkids.uk! I was wildly excited to learn that the new Red Pants album Not Quite There Yet would be getting the full vinyl treatment courtesy of Meritorio Records. How did the link up with this fine Madrid based label come about?

Hey Fran, thanks so much for having me!
Connecting with Meritorio was surprisingly simple. Álvaro messaged me and asked if I would like to work on something. I was already quite a fan of Meritorio’s releases from the last few years and jumped at the chance to work with them. And as luck would have it, Elsa and I were just about to finish up the recording and mixing the new album. It all came together relatively quickly after the first couple of messages.

I first became aware of your work early last year with the release of When We Were Dancing, due to it coming out via my favourite San Francisco label Paisley Shirt Records. As a Madison, WI resident, how did this Bay Area connection arise?

I quickly became a Paisley Shirt fanboy back in 2019 when I bought a cassette of the Sad Eyed Beatniks album, Music From Big White. I was doing my own tape label at the time and I felt an immediate kinship with what Kevin was doing with Paisley Shirt. Kevin and I became internet friends and when I was lamenting to him about not having time to do my own label, he offered Red Pants a spot on the Paisley Shirt roster and I took him up on the opportunity. There’s no doubt that working with him opened a lot of doors for us and I am so thankful we got to work together.

Red Pants – Another Haircut (Paisley Shirt Records)

The Red Pants origin story seems to date back to around 2018. Can you tell me a little about how the project started, and how you arrived at working with the quite brilliant Elsa Nekola?

Red Pants began after I had taken about 4-5 years off from making anything. It was a pretty busy break. My wife and I started a family and we started up an in-home daycare (which I still run). Once we had settled into this new life, I started tinkering with art and music again. I believe Elsa and I met way back in 2011. I was good friends with her husband and we met when they started dating. We played together a bit in 2013, but she moved away for grad school and I took my hiatus at around the same time. She moved back soon after I started putting stuff out as Red Pants and we picked up where we left off. Her Images project was one of the first things I put out on my short lived tape label!

I love the homespun/DIY nature of your work and enjoy checking out your drawings/collages just as much as I love hearing your music. How is it being an artist in 2023 and how important are your family to your creative process?

I feel pretty lucky to be making art and music in 2023. I know social media certainly has its pitfalls, but I have become friends with so many amazing artists and musicians thanks to it. I’m constantly inspired by what I see other people doing online. And it enables me to spread the word without having to leave my house.
The fam is most definitely a constant source of inspiration. It’s definitely evolved over the years from writing songs to or about my daughters, to seeing if I can get a rise out of them with how noisy I am being in the basement, to making art that annoys them. My older daughter always questions my choice of giving people two sets of eyes. It drives her nuts. It’s my best dad joke yet.

Red Pants – Watch The Sky (Meritorio Records)

Lastly, with the new album about to come out into the world, what are your hopes and aspirations for the record, and beyond?

I am just super excited for everyone to hear the album! Getting to put it out on vinyl with Meritorio has already exceeded all my expectations. Elsa and I are planning our first shows in four years. So, I am pretty stoked to play some backyard barbecues around Madison this fall!
Thanks again for having me and for all of your efforts to share great new tunes! The blog and radio show are definitely highlights of the internet!


With those incredibly kind words carrying me forward, I’m off to immerse myself once again in the wonderful sounds of Red Pants. Not Quite There Yet is the most fully formed, immersive album that Jason and Elsa have released to date. A wonderful collision of garage psych urgency and amber soaked melodies that capture you from the very first listen, leaving lasting images and impressions that will keep you coming back again and again. Be sure to also check out Jason’s other creative endeavours at https://www.jasonelambeth.com.

Pre order Not Quite There Yet here, and watch the Jem Fanvu (Vacant Gardens) directed video for On A Wire below.

Red Pants – On A Wire (Meritorio Records), directed by Jem Fanvu

With thanks to Jason Lambeth and Álvaro at Meritorio Records.

Are you feeling Lightheaded?

Combining the soaring melodies of sixties garage-pop with the bittersweet jangle of the late 1980’s DIY indie explosion, New Jersey based Lightheaded have been riding a tide of excitement and anticipation ever since news of their debut release for the revered Slumberland Records started circulating. Their EP Good Good Great! arrives 13th October and ahead of its release Cynthia and Stephen from the band very kindly agreed to talk to heavymetalkids.uk:


Having been engrossed in the San Francisco underground now for a good few years, it’s been cool finding and falling for an East Coast group for once! Can you tell me a little about New Jersey, and the Indie scene over there?

The first two places that come to mind for New Jersey music are Asbury Park and New Brunswick. We’ve both been playing in the Asbury Park area since around 2010. There’s not really any bands that are stylistically playing the same type of jangly, twee music or like baroque girl group stuff are we are, but there’s a lot of bands doing really cool guitar based rock and pop stuff that we are huge fans of. 

This has helped us out a lot with filling in band members, it’s how we found Sara, who is our third core member. She had a cool dream pop project called Teen Idle and we booked her at the house venue that we lived at on the Jersey Shore (the Pop Club) with 2nd Grade as her first show. We talked a little bit afterwards and sorta was able to add her to the mix not too long after her first gig.

I’m interested in the lightheaded origin story as it seems to have had a few twists and turns along the way. How did you guys come together initially, and how did you arrive at the line up as it is now?

We actually played a show in Asbury around 2010 or so, then formally met in 2016 outside of a basement show. in New Brunswick. We immediately started writing songs like madmen over that period of time, but stopped the project for about a year and a half. Then, sort of right before the pandemic, we found our way into each other’s lives to launch our songwriting partnership again. We already mentioned Sara, but we’ve had a bunch of drummers over the past few years from a ton of great New Jersey bands like Nylon, the Ergs!, and Ogbert the Nerd, but are rocking with the bassist of one of our all time favorite NJ bands, Starcleaner Reunion, as our drummer. Adam rules!

Good Good Great! is officially your first release. I have however seen demo tapes come and go, and have even heard rumours of full albums being briefly made available in the past. You guys must have a fair amount of material ready to go??!

Yeah, it’s been a little weird for us with material, to be honest! We had all those initial songs saved up which we wrote from the period that we met over half a decade ago, and Cynthia really wanted to get that batch out before we began anything else. So, we have a full debut album about to be pressed on vinyl, the EP coming out on cassette now, planning a single release after, and the second album already written. Lol we are busy boys and girls! But again, we have been a band for so long, and when you write the way that we do, filling in the gaps for each other, it feels really easy to write songs that we like.

The EP is coming out via the wonderful Slumberland Records, which seems like a perfect fit for you guys. How did this connection come about, and how does it feel seeing your work released on such an esteemed independent label?

IT’S THE BEST! It feels like everything that we like musically, that came out since Slumberland started in 1989… has released music on Slumberland! The Aislers Set is such a huge inspiration for us, the Pains of Being Pure at Heart too, even stuff like Stereolab… I mean, they got the Clientele on a 7 inch, for god’s sake! Even the lesser talked about bands like Pants Yell or Nord Express are some of our most listened to and favorite records.

The connection came about pretty much all thanks to one wonderful individual. Stephen was really obsessing over The Umbrellas at the end of last summer and sort of reached out to Morgan (Morgan Stanley, The Umbrellas guitarist/vocalist) to let her know about it. She was wonderfully kind and receptive to his fanboying, and talked about playing a show together one day, which Stephen took as an open invitation to make happen ASAP. We flew over to California to play some shows over Thanksgiving and we were REALLY hoping Mike (Mike Schulman, Slumberland Records) would be there to check us out, but… he wasn’t lol. Regardless, he must have heard something from someone, and we think it was good things from Morgan.

Finally, what’s next for lightheaded? What are your hopes and ambitions for the EP and beyond?

One of the things we are really inspired by is bands like the Screaming Females, who just played their final state in the United States, Alaska. We really want to use the band as a way to take us places around the world and meet new people. We’re really hoping to tour Europe over the summer. We are going to go back to California to see our friends and the people we met the first time we visited that meant so much to us, and inspired a whole bunch of new songs, and even just our outlook when we got back.

We want to keep on writing songs that we really love, together, and to see the world with the bands we love, like what happened with The Umbrellas. We want to connect with more people through our music and build experiences with people we look up to and admire.


With my ears still ringing from some fine new music recommendations and a new found understanding of the roots of one of the most exciting new bands I have discovered this year, I’m off to immerse myself in the after-hours jangle of Mercury Girl once more, and wait patiently for Good Good Great! to land. Be sure to check that out here.

With thanks to Cynthia Rittenbach and Stephen Stec.

Ship Full Of Bombs ep.5

My fifth radio show is now available for streaming/download: https://www.podbean.com/eas/pb-6z732-14c254e

Alternatively, you can visit http://www.sfob.co.uk and scroll down to the widget at the bottom of the page.

Lastly, you can find the show by searching for Ship Full Of Bombs at Apple Podcasts, Google Podcasts, Deezer, Mixcloud and all other leading podcast apps.

Playlist: Monday 9th October

1) seablite – Melancholy Molly

https://mtstmtn.bandcamp.com/album/lemon-lights

2) Red Pants – Watch The Sky

https://redred.bandcamp.com/album/not-quite-there-yet

3) The Laughing Chimes – Zoo Avenue

https://prefectrecords.bandcamp.com/album/the-best-of-the-laughing-chimes-e-p (UK)

https://thelaughingchimes.bandcamp.com/album/laurel-heights (US)

4) The Smashing Times – Glorious Tales Of Wes

https://thesmashingtimes.bandcamp.com/album/this-sporting-life

5) Silk Cuts – Foxes

https://silkcuts.bandcamp.com/album/virginia-foxes

6) Dancer – Love

https://goldmoldrecords.bandcamp.com/album/as-well

7) The Hillmisters – Stars

https://hillmisters.bandcamp.com/album/collected-recordings-2007-2010

8) Yes Today – If Only (demo)

https://yes-today.bandcamp.com/album/2022-demos

9) Milk Boys – Cracked Tile Rhymes

https://milkboys.bandcamp.com/album/two

10) The Reds, Pinks & Purples – Build Love

https://theredspinksandpurples.bandcamp.com/album/build-love

11) Tony Jay – Just My Charm

https://tonyjay.bandcamp.com/album/perfect-worlds

12) The Woods – Gorgeous Weather 

https://woodsmodernharmonic.bandcamp.com/album/so-long-before-now

13) Cindy – Caller 103

https://cindytheband.bandcamp.com/album/cindy

14) Yea-Ming & The Rumours – Ruth

https://yea-ming.bandcamp.com/album/so-bird

15) Renovator’s Delight – Miranda

https://renovatorsdelight.bandcamp.com/album/bark-all-night

16) Felt – Fortune

17) Broadcast – Michael A Grammar

18) Hattie Cooke – Don’t Wanna Talk

https://hattiecooke.bandcamp.com/album/bliss-land-2

19) Apostille – Rely On Me

https://apostille.bandcamp.com/album/prisoners-of-love-and-hate

20) Rat Columns – Life In The Jungle

https://ratcolumnsband.bandcamp.com/album/babydoll

21) Empty Country – David

https://emptycountry.bandcamp.com/album/empty-country-ii-2

22) lightheaded – Love Is Overrated

https://areyoufeelinglightheaded.bandcamp.com/album/good-good-great

23) The Gabys – Gardens

https://allgonelabel.bandcamp.com/album/s-t-2

24) Smile Too Much – Lasties 

https://dandyboyrecords.bandcamp.com/album/smile-too-much

25) Carla Dal Forno – Stay Awake

https://carladalforno.bandcamp.com/album/come-around-2

26) Katsy Pline – Guess I’m Always Leaving

https://takeaturn.bandcamp.com/album/incandescent-fire

Seablite – Hit The Wall

Let me start by saying right off the bat that I’m not sure there’s a band out there right now as cool as San Francisco indie four-piece Seablite. It’s incredibly exciting when the songs, sound, vision and style all come together as they have in the lead up to new album Lemon Lights.

After the Chameleons UK-esque Darkwave strut of previous cut Pot Of Boiling Water, latest single Hit The Wall takes us firmly and fluidly back to the indie dancefloor. To my mind at least, there’s always been a connect between the hypnotic atmospherics of shoegaze and the rhythmic pulse of dance music, and Seablite ride that wave perfectly here.

Built around the kind of groove that would have been twisted into all kinds of shapes and possibilities by the hippest remixers of a different era, Hit The Wall is a giddy, breathless rush of energy from a group steeped in togetherness and working in perfect harmony.

Order Lemon Lights (Mt.St.Mtn) here.

video directed by Jenn Heard.

Apostille – Prisoners Of Love And Hate

An outlier with a deep knowledge of pop in all its forms and the unrivalled power it holds, Glasgow based Michael Kasparis’ Apostille project is back with third album Prisoners Of Love And Hate, and it’s his most deeply focussed and affecting effort to date.

From the opening Whigfield (!) inspired house pulse of Saturday Night, Still Breathing, through to the epic power and vulnerability of closer Feel Good (You Can Make Me) the album is a celebration of connection, wide open to the moment and all of the ecstasy and heartache each moment can bring.

There are a wild variety of styles at play across the record, all held together by Kasparis’ boundless energy and spirit, and when that energy and spirit combines with everybody’s favourite drum loop (don’t @ me) on the evocative small town self-reflection of People Make This City, its both cathartic and quite moving. A true highlight of a wonderful album.

Channelling the best of 70s power pop, 80s synth pop and blissed out 90s house/techno, Prisoners Of Love And Hate wears its influences with pride, but adorns them with a unique fire and passion that is truly Apostille’s alone.

Listen/Buy/Share via Night School Records here.

Tony Jay – Perfect Worlds

Resembling either a night that ended far too late or a morning that began far too early, the music of San Francisco’s mysterious lo-fi pop project Tony Jay exists in a unique space, a space where the band are free to dream boldly in the half-light, and coax real wonder from layers of tape hiss and fog obscured jangle.

Emerging from that half-light just about ready to face the day, latest album Perfect World’s soundscapes dwell beautifully in those lost, in-between moments when everything is simultaneously bearing down but nowhere to be found, punctuating the uncertainty with gentle melody and the purest of heart.

Distant but yet inviting, moments like the post-VU strum of Isolated Visions or the stark power of Talking In My Sleep offer instant rewards, whilst the hypnotic guitar lines and chimes that weave in and out of tracks like Just My Charm reveal themselves slowly with repeated plays.

Connections are formed and frayed, fragile beauty found in faraway solitude, channeling the strange magic that can make life so bearable and unbearable all in the same breath. This music somehow manages to give shape and structure to emotions that many of us would otherwise struggle to rationalise, and for that we owe Tony Jay endless thanks.

Order via Slumberland Records here.

Ship Full Of Bombs ep.4

My fourth radio show is now available for streaming/download: https://www.podbean.com/ep/pb-5e496-14a2d42

Alternatively, you can visit http://www.sfob.co.uk and scroll down to the widget at the bottom of the page.

Lastly, you can find the show by searching for Ship Full Of Bombs at Apple Podcasts, Google Podcasts, Deezer, Mixcloud and all other leading podcast apps.

Playlist: Monday 11th September 

1) Red Pants – Witching Hour

https://redred.bandcamp.com/album/not-quite-there-yet

2) Lightheaded – Mercury Girl

https://areyoufeelinglightheaded.bandcamp.com/album/good-good-great

3) Seablite – Pot Of Boiling Water 

https://mtstmtn.bandcamp.com/album/lemon-lights

4) Smile Too Much – You Can’t Help Me

https://dandyboyrecords.bandcamp.com/album/ep-2

5) The 1981 – I Love You (But I Hate You)

https://the1981band.bandcamp.com/album/move-on

6) Melodiegroup – The World Because It’s Strange

https://melodiegroup.bandcamp.com/album/being-nothingness

7) Plantman – High Hopes

https://plantman1.bandcamp.com/album/days-of-the-rocks

Amy Glover live in session 

https://yes-today.bandcamp.com/album/2022-demos

8) Hydroplane – The Love You Bring

https://hydroplaneband.bandcamp.com/album/selected-songs-1997-2003

9) Blue Ocean – Fertile State

https://blueoceanmusic.bandcamp.com/album/fertile-state

10) Now – Roses After H.D.

https://slothmate.bandcamp.com/album/and-blue-space-is-burning-noon

11) Tony Jay – Isolated Visions

https://tonyjay.bandcamp.com/album/perfect-worlds

12) Helpful People – Backwards Mirror

https://fwymusic.bandcamp.com/album/brokenblossom-threats

13) Empty Country – Erlking

https://emptycountry.bandcamp.com/album/empty-country-ii-2

14) Rat Columns – Cerulean Blue

https://ratcolumnsband.bandcamp.com/album/babydoll

15) My Bloody Valentine – Off Your Face

16) The Gabys – I Don’t Mind

https://fruitsandflowers.bandcamp.com/album/the-gabys

17) Whitney’s Playland – Backwards Forever

https://paisleyshirtrecords.bandcamp.com/album/sunset-sea-breeze

18) Cindy – Playboy

https://cindytheband.bandcamp.com/album/why-not-now

19) Cymbals – Decay 

https://cymbalsmusic.bandcamp.com/album/light-in-your-mind

20) Apostille – People Make This City

https://apostille.bandcamp.com/album/prisoners-of-love-and-hate

21) Mountain Movers – Angels Don’t Worry 

https://themountainmovers.bandcamp.com/album/mountain-movers-2017

22) Primal Scream – May The Sun Shine Bright For You

23) Bill Evans Trio – Jade Visions

Huge thanks to Al Johnson for producing the live session.

Seablite – Pot Of Boiling Water

In the bubble of underground indieland it feels as if San Francisco four piece Seablite are everywhere at the moment. Their hypnotic blend of shoegaze cool and indiepop vibrance has been capturing hearts and minds since new album Lemon Lights was announced, and I’m the latest person rendered powerless to resist.

On latest cut Pot of Boiling Water, Seablite pull off that rarest of tricks of taking a sound that mattered so much then and making it matter now. Elements of the very best of nineties UK indie shot through with vital 2023 California cool, creating the kind of glorious wash of sound that could lead my weary shuffle to the nearest sticky floored, dimly lit dance floor in a heartbeat.

It isn’t any particular element that jumps out here, and I mean that as the highest compliment. Seablite operate as one propulsive whole formed by four creative minds working in total unity, and it’s that unique alchemy that serves as the bands biggest strength. Pot Of Boiling Water is the latest timely reminder of just how important this wonderful music continues to be.

Pre order Lemon Lights via Mt.St.Mtn here.

Lightheaded – Mercury Girl

The Slumberland Records hot streak continues unabated with the release of Mercury Girl, the debut offering from New Jersey trio Lightheaded.

Combining the talents of Cynthia Rittenbach (Glycerine Queens), Stephen Stec (Paper Streets) and Sara Abdelbarry (Teen Idle), the band release their first EP Good Good Great! on 13th October with both Cassette and Digital editions available for pre order.

Stephen offered the following words regarding the EPs lead track:

“A noir ode to the troubles that Martin Newell knows all too well. Mercury Girl is a very early lightheaded song about being floored by a person who I could never quite pin down as a consistent presence. Specifically, meeting at a New Jersey basement show and following them floating in and out of my life for a year or so. Every time I saw them felt like it might be the last, until it was.

You can also play catch the Bunnymen reference in the lyrics and see if you win.”

There is an inherent richness to Lightheaded’s music that evokes the classic janglepop of The Feelies, C86 and that first Primal Scream album, whilst Rittenbach’s vocals provide all the warmth we could possibly need as the final days of Summer gently give way. Those elements combined conjure a gentle sigh of sound that could carry the weight of the heaviest heart.

With its endless hooks and subtle melodic shifts, Mercury Girl is a beautifully intriguing introduction to a band destined for the brightest of futures. You can check out the video below and pre order the EP here.

Empty Country – Erlking

‘The end times end, we all sing along, one short verse thirteen bars, the force of fifty collapsing stars…’

I have to be honest. It’s been a fair while since I last heard a chorus that instantaneously made me want to set stuff on fire. Welcome back then Empty Country, whose new cut Erlking has been burning up the outer edges of the airwaves over recent weeks.

Returning three and a half years after their self-titled debut, the project led by Connecticut based artist and former Cymbals Eat Guitars frontman Joseph D’Agostino have announced a new album, Empty Country II, split between Get Better Records (US) and Tough Love Records (UK.)

Tying in with the overarching theme of Empty Country II, Erlking sees D’Agostino’s stunningly emotive vocal rally against the political corruption and gun violence running riot at present across the US, doing so amid a backdrop of soaring, searching guitars and a rhythm section that operates with devastating passion and precision.

For all the crushing weight of its far reaching narrative, Erlking stands tall as a truly great song, and serves as a perfect introduction to D’Agostino’s unique musical landscape. Empty Country II arrives November 3rd.

Pre order now via Tough Love Records (UK) and Get Better Records (US)

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