Artsick: Sticking with you, me and community…

Live photo by Lexie Corley

Bay Area fuzz pop duo Artsick recently released a vital new single to raise funds for The Trevor Project, truly the most worthy of causes. The release sent me on a voyage of discovery and I’ve been hooked on Riley Riley and Mario Hernandez’ raw and deeply real grooves ever since. Vocalist, guitarist and songwriter Riley very kindly agreed to answer a few questions for heavymetalkids.uk:


Let’s begin by talking about the new single you’ve just put out to raise funds for The Trevor Project. Could you please tell us a little about what inspired the release and maybe give readers an idea of the vital work The Trevor Project are doing?

Thanks for asking! We originally recorded the “I’m Sticking with You” cover for the 2024 Oakland Weekender Velvet Underground compilation cassette, but it was never openly released online. I liked the way it turned out, and the lyric, “I’m sticking with you” is kind of perfect for the cause, so it felt like a nice idea to release it more broadly for this benefit. Mario has a 16 track analogue machine so he recorded us at his studio in Oakland. The “Look Again” demo from 2018 was recorded by me in my band space at home. I have always had a thing for roughly recorded demos, as I think sometimes they capture something a properly recorded, practiced song can’t. That being said I do also love the full band version on our LP. 

As the US government shifts towards authoritarianism, with an oligarchy of billionaire racist, sexist white men at the helm, communities that were already struggling are even more at risk now than before. As a member and ally of the queer community, I feel passionate about protecting the rights of LGBTQI+ people to be who they are, do what they want and to live in a world that is safe for them. Trans people are losing their access to gender affirming healthcare under the administration, which is incredibly dangerous and unjust. I felt compelled to try to raise some money for the non-profit organization because I know the crucial role a support like The Trevor Project can play in saving the lives of queer people at risk. It is my hope that all the LGBTQI+ youth know that they are not alone and that there is help out there. There is a whole community of people who understand, and will accept and love them for who they are. The Trevor Project offers free crisis counseling through text, call or chat which is great since a lot of queer youth live in households and communities that are sadly anti trans etc. I have struggled with suicidal thoughts in my life – I know how isolating and scary it can be, so I am grateful non-profits like The Trevor Project exist. You can read more about all of their work and resources here: https://www.thetrevorproject.org/

Artsick – Look Again

Now I’m a little late to the party so please forgive me. I’ve totally fallen for the directness and purity of Artsick’s unique fuzz pop in recent weeks. Can you give us a rundown on how you guys came together and arrived at your wonderful Slumberland Records debut Fingers Crossed?

From 2012-2017, I had a band called Burnt Palms. We used to go up to San Francisco and Oakland to play shows over the years. I met my Artsick bandmate/friend, Mario Hernandez through playing with his band, Kids On A Crime Spree, and became friends with the original Artsick bassist, Donna McKean when I played a couple shows with her band, Lunchbox. When Burnt Palms broke up, I was feeling pretty sad… pretty artsick actually, so I started to record some demos with the intention of forming a new band. Mario heard the demos at a party at his house and offered to record and play drums for the songs! I asked Donna if she’d like to play bass in Artsick and she said yes! This is how Artsick got started. We self released a 7” single in 2018, and played some shows. Meanwhile, I was writing a bunch of new songs and recording demo versions to send to the band so we could work on them. Those songs evolved into what you hear on Fingers Crossed. Both Mario and Donna wrote their parts and Tim Brown (Donna’s husband/bandmate) recorded the songs on 8 track at their studio in Oakland. Slumberland Records happened to dig the songs and wanted to put out the record which was a dream come true. I just love the label, and l have always wished to be part of the roster of bands. It’s a true honor. 

I find the themes of your writing highly relatable, touching on uncertainty, anxiety and attempting to navigate ever more challenging realities. What is it that inspires you to create such deep reaching but delightfully hook-heavy pop?

That means a lot, thank you so much. The songs I write are a reflection of myself, the people, and the world around me. I am a sensitive person so it’s not hard for me to feel what others are feeling, and write from others perspectives. I have dealt with mental health struggles my whole life, so I think music helps me sort stuff out. It just turns out most people struggle with these things, too – hence why I think people can easily relate. I don’t think too much when I write. It’s mostly a feeling that comes over me that a song is dangling above me and I just need to pick up a guitar to grab it. It’s the best feeling in the world when it comes out quickly. It’s a pretty emotional process for me. The hooks come from instinct and feeling – not planned at all. Music and writing has always been there for me throughout my life so it means a lot if my songs can be there for someone else, too.

Recording at Mario’s studio. Photo by Mike Schulman

I have really enjoyed your recent social media posts showing you out volunteering in the community and playing music with your daughter. How is it raising a family and navigating the everyday amid all of the political unrest and uncertainty that has been unleashed across the US?

I have two kids – an eleven and six year old. They are amazing and I love them so much. It’s the toughest job, and I am non-stop anxious about their futures in this world. It’s brutal to see the reversal of women’s rights to make decisions about their own bodies etc. It’s totally unacceptable. We are raising our daughters to be whoever they are, and whatever they want. They know they will be loved and supported no matter what. We want them to grow up strong, resilient and kind people who stand up for what’s right. I do my best to support and inspire them in whatever interest they have. They love music, especially singing but I’m hoping they’ll legit pick up guitar soon, like your daughter! I love seeing you two play together also. It’s fantastic! Recently I volunteered to teach some 5th and 6th graders about guitar pedals, and how we can use them in music to help create emotions. We made some noise and I asked them what they felt listening to it – what environment, color, texture it sounded like… it was super cool to hear their perspectives. I would love to do more of that. If I can inspire any kid to get into music, that is massively rewarding. There are so many things happening to be enraged, worried and sad about, but I think the more we can focus on community and fighting for what’s right together, the better our chances are. At no point should we give up.

Finally, what’s next for Artsick? Are you guys working on new material and do you have any upcoming shows you would like to shout out?

Mario and I have been recording a new Artsick album slowly but surely at his studio. I’m super excited about it. Mario is a bit of a recording genius on top of an amazing songwriter (check out his band, Kids On A Crime Spree if you haven’t already). He has a 16 track so we are recording analogue. I love the process and the sound of it. He is playing drums and some bass on this record. I feel very lucky to make songs with him. I learn a lot recording with him. It’s pretty inspiring and fun and really makes me want to be a better musician. I live almost two hours down the California coast in a small city called Seaside, so it’s challenging to get up to record in Oakland as much as I’d like to, especially with my parental responsibilities and our entire family living in Canada. We make it work though, and I really value when we get to work on music together and hang out. It’s a special treat also when Mike Schulman (Slumberland) comes to hangout. He recently made some incredible feedback for a couple of songs on the album. That guy is some crazy guitar noise wizard. It’s really amazing! Huge treat when he joins us live for it, too. 

We have a very special show coming up on March 15th in Santa Cruz, California as part of the celebration for Slumberland Records 35th anniversary. There is a really great record store in Santa Cruz called Redwood Records who have a nice selection, and have been super supportive of Artsick and the music scene in general. They are teaming up with Slumberland to present the show at The Crepe Place. 8PM $10. Lunchbox and Neutrals are playing as well, along with Kid Frostbite (Mike Schulman) spinning records throughout. Should be a blast!

Artsick – Ghost Of Myself

Artsick are Riley Riley (guitar/vocals) and Mario Hernandez (drums). Thank you so much to Riley for agreeing to speak with the blog. You can purchase Artsick’s benefit single for The Trevor Project here. The band’s debut album Fingers Crossed is available here.

above me – s/t

The Oakland based DIY label Dandy Boy Records has long been my go to for the deepest of Bay Area underground cuts, and so it continues with this release from former Blue Ocean man Rick Altieri’s new solo project above me.

Expanding on his former band’s experimental shoegaze soundscapes, above me’s self-titled debut incorporates drum machines, synths and electronic music techniques into its heady dreampop brew. It makes for a deeply intoxicating whole.

From the metallic rush of opener out of body out of mind through to mossy lime’s breathless broken beats, the EP is loaded with fractious melodies and gut-punch rhythms which simultaneously startle with their immediacy and keep you coming back for more.


above me – out of body out of mind

above me is available now via Dandy Boy Records. You can order the CD or download here.

heavymetalkids ep.21

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Playlist: Monday 27th January

  1. Little Oso – Metaphorical Ohio https://littleoso.bandcamp.com/album/how-lucky-to-be-somebody
  2. The Reds, Pinks & Purples – Park Statues  https://theredspinksandpurples.bandcamp.com
  3. Midding – Synth Love  https://middingband.bandcamp.com/album/nowhere-near-today
  4. The Blair Lip Bombs – Walking Away  https://thebelairlipbombs.bandcamp.com/album/lush-life
  5. Autocamper – Ken Hom  https://safesuburbanhomerecords.bandcamp.com/album/summertime
  6. The Laughing Chimes – Cats Go Car Watching  https://thelaughingchimes.bandcamp.com/album/whispers-in-the-speech-machine
  7. Porcine – Brand New TV  https://porcine.bandcamp.com/music
  8. TTSSFU – I Hope You Die  https://ttssfu.bandcamp.com/album/me-jed-and-andy
  9. Sassyhiya – Boat Called Predator  https://sassyhiya.bandcamp.com/album/take-you-somewhere-2
  10. The Tubs – Narcissist  https://thetubs.bandcamp.com/album/cotton-crown
  11. Gum Parker – Two Subarus  https://gumparker.bandcamp.com/album/the-brakes
  12. The Smashing Times – Mrs. Ladyships and The Cleanerhouse Boys  https://thesmashingtimes.bandcamp.com/album/mrs-ladyships-and-the-cleanerhouse-boys
  13. Lightheaded – Rock n Roll  https://areyoufeelinglightheaded.bandcamp.com
  14. Dream Bleeding – Beamforming  https://dreambleeding.bandcamp.com/album/beamforming-single
  15. Dragged Up – Third Level  https://draggedup.bandcamp.com/album/high-on-ripple
  16. Index For Working Musik – 2×1  https://indexforworkingmusik.bandcamp.com/album/which-direction-goes-the-beam
  17. Molly Nilsson – The Communist Party  https://mollynilsson.bandcamp.com/album/un-american-activities
  18. Mt. Misery – Don’t Remind Me  https://mtmisery.bandcamp.com/album/love-in-mind
  19. Cindy – Party In The Atelier  https://cindytheband.bandcamp.com/album/swan-lake
  20. Hospital – Earl’s Star  https://hospitalsf.bandcamp.com/album/ii
  21. Red Pants – Underneath The Sun  https://redred.bandcamp.com/album/pale-shadows
  22. Seablite – Hold My Kite  https://seablite.bandcamp.com/album/lemon-lights
  23. Whitney’s Playland – Backwards Forever  https://whitneysplayland.bandcamp.com/album/sunset-sea-breeze
  24. The Umbrellas – Blue  https://theumbrellasca.bandcamp.com/album/fairweather-friend
  25. RYLI – When I Fall  https://dandyboyrecords.bandcamp.com/album/i-think-i-need-you-around-b-w-when-i-fall
  26. Ryann Gonsalves – Feeder Fish  https://dandyboyrecords.bandcamp.com/album/ouch
  27. Magic Fig – Obliteration  https://magicfig.bandcamp.com/album/magic-fig
  28. Zeinab Shaath – Take Me Back To Palestine  https://zeinabshaath.bandcamp.com/album/the-urgent-call-of-palestine

Translating Falasteen (Palestine), in collaboration with The Sameer Project, launched a fundraising campaign to support families in Gaza facing severe hardships. Their mission is to provide essential aid to those who need it most, especially families with specific and urgent needs. The aid is bought from existing products in the market and is NOT being brought in through any border. Donate here.


Little Oso – How Lucky To Be Somebody

Portland, Maine fourpiece Little Oso arrive sounding invitingly fresh and fully formed with their debut long player How Lucky To Be Somebody. 

Honing their skills across multiple self released EPs dating back to 2020, the band specialise in ethereal dreampop featuring vocal melodies which cut through with stunning purity, the darker hues of the guitar riffs adding depth and contrast.

Lamenting on the inherent weirdness of life, How Lucky To Be Somebody’s ten songs offer both hope and heart in abundance, a stirringly beautiful listen from start to finish.


Little Oso – Metaphorical Ohio

Little Oso are: Jeannette Berman (vocals, guitar), Dana Guth (bass), DJ Nelson (drums), Ricky Lorenzo (guitar).

How Lucky To Be Somebody is out now via Repeating Cloud (US) and Safe Suburban Home (UK). Buy here.

Cindy – Saw It All Demos

And so this year begins as the last one ended, with this writer totally swept away by the stark splendour of San Francisco based artist Karina Gill’s unparalleled songcraft.

Initially released via Paisley Shirt Records to coincide with Cindy’s recent UK/EU tour, these predominantly solo home recordings find Gill completely at ease in her environment, laying the groundwork for last years Swan Lake EP, a release widely agreed to be the group’s strongest statement yet.

Special mention must be made to the full band demo of new song The Violins which closes the set. You can simply feel the joy as Gill and friends plot out their next leap forward. Essential.



Saw It All Demos is out now via Paisley Shirt Records. You can pick up a cassette or download here.

heavymetalkids.uk ep.20

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Alternatively, you can visit http://www.sfob.co.uk and scroll down to the widget at the bottom of the page.

Playlist: Monday 2nd December

  1. Cindy – St. Marks
  2. Lone Striker – Dunno https://lonestriker.bandcamp.com/track/dunno
  3. Black Thumb – The Other Side (feat. Inna Showalter) https://blackthumbdeath.bandcamp.com/track/the-other-side
  4. Autocamper – Summertime https://autocamper.bandcamp.com/album/summertime
  5. EggS – Keep On Stumbling https://prefectrecords.bandcamp.com/album/crafted-achievement
  6. Chime School – Negative Monday https://chimeschool.bandcamp.com/album/the-boy-who-ran-the-paisley-hotel
  7. Mt. Misery – Driving Through A Dream https://prefectrecords.bandcamp.com/album/love-in-mind-2
  8. The Laughing Chimes – High Beams https://thelaughingchimes.bandcamp.com/album/whispers-in-the-speech-machine
  9. Humdrum – There And Back Again https://heyhumdrum.bandcamp.com/album/every-heaven
  10. Middling – Clem’s Crime https://middingband.bandcamp.com/album/nowhere-near-today
  11. Dancer – Paging Planet Earth https://dancermusicgroup.bandcamp.com/album/split
  12. Dragged Up – Young Person’s Guide To Going Backwards In The World https://draggedup.bandcamp.com/album/high-on-ripple
  13. Ryli – I Think I Need You Around https://dandyboyrecords.bandcamp.com/album/i-think-i-need-you-around-b-w-when-i-fall
  14. The Belair Lip Bombs – Easy On The Heart https://thebelairlipbombs.bandcamp.com/album/lush-life
  15. Sea Fever – Satellite https://seafever.bigcartel.com
  16. LOWMOON – Cathedrals https://youtu.be/DQr5zvle2Jw?si=q8tzPB1pTvv0HE62
  17. Naked Roommate – No Kicker https://nakedroommate.bandcamp.com/album/pass-the-loofah
  18. Miracle Fortress – Everything Works https://miraclefortress.bandcamp.com/album/was-i-the-wave
  19. April Magazine – Jungle City Beat https://digitalregress.bandcamp.com/album/wesleys-convertible-tape-for-the-south
  20. Now – Wind Was https://nowww.bandcamp.com/album/and-blue-space-is-burning-noon
  21. The Smashing Times – Wednesday, On A Hummingbird’s Wing https://thesmashingtimes.bandcamp.com/album/mrs-ladyships-and-the-cleanerhouse-boys
  22. Assistant – Derek Jarman https://assistant.bandcamp.com/album/certain-memories
  23. Red Pants – To The Deep End https://redred.bandcamp.com/album/pale-shadows
  24. Torrey – Bounce https://torreymusic.bandcamp.com/album/torrey
  25. Lightheaded – Love Is Overrated https://areyoufeelinglightheaded.bandcamp.com/album/good-good-great
  26. The Moment Of Nightfall and Tony Jay – Time Goes By https://kilikilivilla.bandcamp.com/album/winter-dream

Ryli – I Think I Need You Around/When I Fall

Initially brought together for a Cleaners From Venus tribute album, Bay Area based Yea-Ming Chen (Yea-Ming and The Rumours) and Rob Good’s (The Goods) collaboration quickly flourished into a winning creative partnership, the first fruits of which being this tremendous single for Dandy Boy Records.

Combining Chen’s pop sensibilities with Good’s keen ear for an earworm hook, both the chiming, charming I Think I Need You Around and its softer, sadder counterpart When I Fall are warmly melodic treasures that draw you in deeply from the very first listen. 

Rounded out by the propulsive rhythm section of Luke Robbins (Latitude/R.E. Seraphin) and lan McBrayer (Sonny and The Sunsets/Healing Potpourri), Ryli place their emphasis on beautifully crafted composition and full-hearted melody. It’s an irresistible combination that demands your immediate attention.



I Think I Need You Around/When I Fall is out now via Dandy Boy Records. You can order the 7” or digital download here.

Black Thumb – The Other Side

From seemingly out of nowhere comes this beautiful new track from Bay Area artist Colin Wilde’s DIY-psych project Black Thumb. Utilising a pandemic-era recording that had long been gathering dust, it was shared with Inna Showalter (Whitney’s Playland/Magic Fig) who contributed lyrics and a customarily breathtaking vocal.

Beginning with Wilde’s plaintive acoustic guitar strum, The Other Side builds unhurriedly towards fuzzed out greyscale psychedelia, soaring and soothing with a gentle but all consuming power. Showalter’s contributions bring forth both melody and mystery, the pair’s restless endeavour vividly highlighting the combined strength of two ceaselessly creative souls. 



The Other Side is available for digital download here, with artwork by Peter Hurley (April Magazine).

Autocamper – Summertime/Ken Hom

Manchester indie pop fourpiece Autocamper return with the shimmering double attack of Summertime and Ken Hom, a new cassingle released collaboratively by vital UK DIY label Safe Suburban Home and the iconic Bay Area based Slumberland Records.

There is a giddy directness to Autocamper’s craft that is uniquely their own. Not a single note is wasted and every moment counts. From the whiplash urgency of the drums to the abundant hope of the endless organ melodies, Summertime bursts out of the speakers with an anthemic intimacy that is completely irresistible. Ken Hom meanwhile dials up the intensity, its gnarly guitar opening collapsing into an unrelenting jangle pop rush.



The UK Cassingle is now sold out but you can pick up a download here as a perfect teaser for the band’s highly anticipated debut album, due in 2025. US readers can pick up a cassette here.

Autocamper are: Harry Williams (bass), Arthur “Junior” Robinson (drums/vocals), Niamh Purtill (keyboards/vocals), Jack Harkins (guitar/vocals).

Sea Fever – Live at Gorilla, Manchester, 2nd November 2024

Sometimes a gig is more than just a gig. Occasionally, when the band, venue, sound, people all come together perfectly in the moment, it becomes something bigger, something unfathomable. So it was for Manchester electronic quintet Sea Fever’s hometown show at Gorilla, truly a triumph in every sense of the word.

From the very first note played, dual vocalists Iwan Gronow (Haven/Johnny Marr) and Beth Cassidy (Section 25/Hardway Bros) are a captivating combination, their inimitable stage presence balanced with just enough vulnerability to keep things beautifully human. The pair compliment each other wonderfully, Gronow’s guitar work driving the songs ever forward, Cassidy’s keys creating whole worlds within them. The pair are flanked by New Order’s Tom Chapman and Phil Cunningham, the former sending seismic basslines skyward, the latter effortlessly fizzing guitar lines in and around Elliot Barlow’s gloriously groove heavy rhythms. It’s an dizzying array of talent, bolstered even further by Patcched International’s incredible visuals.

With as yet unreleased new material being treated as fan favourites and established cuts such as non-album single Dilemma and epic closer De Facto awarded anthemic devotion, it’s clear Sea Fever already have a committed and passionate following. It’s a following that’s certain to explode with the forthcoming release of the band’s sophomore album.

You can check out Sea Fever’s debut album Folding Lines, watch live videos and buy merch here.