Ship Full Of Bombs ep.6

My latest radio show is now available for streaming/download via Podbean, Apple Podcasts, Google Podcasts, Deezer and other leading podcast apps.

Alternatively, you can visit http://www.sfob.co.uk and scroll down to the widget at the bottom of the page.

Playlist: Monday 6th November

1) The Umbrellas – Three Cheers!

https://theumbrellasca.bandcamp.com/album/fairweather-friend

2) En Attendant Ana – Black Morning

https://enattendantana.bandcamp.com/album/principia

3) The Laughing Chimes – A Promise To Keep

https://thelaughingchimes.bandcamp.com/album/a-promise-to-keep

4) Red Pants – See You At The Turnstile 

https://redred.bandcamp.com/album/not-quite-there-yet

5) Blue Ocean – Take A Care

https://blueoceanmusic.bandcamp.com/album/fertile-state

6) The Reds, Pinks & Purples – Dull Panic & Sunday Gloom

https://theredspinksandpurples.bandcamp.com/album/dull-panic-sunday-gloom-3

7) Lightheaded – The Garden

https://areyoufeelinglightheaded.bandcamp.com/album/good-good-great

8) The Smashing Times – Saturday Night And Sunday Morning 

https://thesmashingtimes.bandcamp.com/album/this-sporting-life

9) Dancer – Pulp Thriller

https://goldmoldrecords.bandcamp.com/album/as-well

10) Dragged Up – Hex Domestic

https://cruelnaturerecordings.bandcamp.com/album/hex-domestic-ep

11) The Terminal Buildings – Struck Me Down

https://terminalbuildings.bandcamp.com/album/strike-the-crane-down

12) Seablite – Time Is Weird

https://dandyboyrecords.bandcamp.com/album/grass-stains-and-novocaine-remastered

13) The 1981 – In Your Eyes

https://the1981band.bandcamp.com/album/move-on

14) Sweeping Promises – Good Living Is Coming For You

https://sweepingpromises.bandcamp.com/album/good-living-is-coming-for-you-2

15) Big Cry Country – Settle Up

https://bigcrycountry.bandcamp.com/album/living-conditions

16) Fig By Four – Plunge

https://figbyfour.bandcamp.com/album/capture-reveal

17) Jared Leibowich – Can I Hear Your Story

https://www.bandcamp.bruit-direct.org/album/jared-leibowich-secret-spells

18) Helpful People – Bad Animals

https://fwymusic.bandcamp.com/album/brokenblossom-threats

19) The Leaf Library -Goodbye Four Walls

https://theleaflibrary.bandcamp.com/album/library-music-volume-one

20) Silk Cuts -Virginia 

https://silkcuts.bandcamp.com/album/virginia-foxes

21) phoneswithchords & Ben Sooy – If Time 

https://phoneswithchords.bandcamp.com/album/phoneswithben

22) Single Lash – New Song

https://singlelash.bandcamp.com/album/ladida

23) East Village – Here It Comes

https://heavenlyrecordings.bandcamp.com/album/drop-out

24) The Small Intestines – Under The Weather

https://thesmallintestines.bandcamp.com/album/hide-in-time

25) Cindy -Nothing To It

https://slothmate.bandcamp.com/album/cindy-standard-candle

26) Whitney’s Playland – Symptoms

https://paisleyshirtrecords.bandcamp.com/album/a-day-at-the-fair

27) Molly Nilsson – Kids Today

https://mollynilsson.bandcamp.com/album/extreme

28) Look.Up. – Dear William 

https://lookupsounds.bandcamp.com/track/dear-william

29) Tony Jay – Feel For Yesterday 

https://tonyjay.bandcamp.com/album/perfect-worlds

30) Ornette Coleman – Lonely Woman

Life In The Jangle Is Hard…

Here are some new sounds that have been moving me, maybe they will move you too…

The Small Intestines – Hide In Time (Meritorio Records/Lost and Lonesome, out now)

Tight three-piece harmonies and warm hearted jangle are at the forefront on this Melbourne based groups delightful debut album, featuring members of Chook Race (Trouble In Mind) and Peach Happening. Fans of Felt and The Go-Betweens will find much to love here, as will anyone with a love for beautifully crafted, rough around the edges indie rock with a low-key, homespun feel. Music to fill that Ultimate Painting shaped hole in your soul, with wildly cool cover art to boot.

Fig By Four – Capture Reveal (Bomb The Twist, out now)

Soulful folk stylings and driving indie-rock collide on this debut album from Leeds based multi-instrumentalist Sarah Statham. Drawing inspiration from time spent both in the Lake Distract and working as a music mentor in New York, Statham transcribes heavy themes into highly relatable lyrics, and delivers them with subtle power and grace. Capture Reveal is the far-reaching sound of an artist striving for truth and connection, and it makes for a heady, intoxicating listen.

The Terminal Buildings – Coming To Terms With The Terminal Buildings (self-released, out 17th November)

Inspired by the US indie stylings of Mo Troper and Tony Molina, but with a keen knack for a killer chord change and melodic lilt that is Glasgow through and through, the solo home recordings of The Terminal Buildings really are a joy to behold. Containing songs of various fidelity recorded by any means necessary over the last two years, this compilation is a wonderful introduction to The Terminal Buildings’ prolific output, and totally essential for anyone moved by the unmatched power of the two minute pop song.

Dragged Up – Hex Domestic (Cruel Nature, out now)

Following on from their 2020 debut mini-album D/U, Glasgow slacker-punks Dragged Up are back with a new four song EP for Cruel Nature. In what is a break from the angular, urgent post-punk of fellow Glasgow based acts like Dancer and Current Affairs, Dragged Up approach a similar kind of art from a slightly different angle, cutting through with a garage-psych swagger that unravels at its own pace. The tightest kind of loose, this five piece incorporate shades of 90s US alternative rock into their post-C86 jangle and throb, whilst the proto-punk poetry of closer Blaming The Weather ebbs and flows with a terrible beauty, a band working in perfect harmony amid a very imperfect world.

phoneswithchords – phoneswithBen (Start-Track, out 17th November)

This collaboration between Tennessee DIY artist Arthur Alligood and Ben Sooy from the Colorado based collective A Place For Owls uses the purest of tools to get straight to the heart of the matter. With lyrics and structures shared and nurtured via the internet, the two artists have built a warmly affecting shelter from the storm. Ruminating on the relentlessly inevitable march of time, they frame their thoughts with intimate electronic flourishes and guitars/keys that are sure to move anybody who lets this beautiful music into their life.

Thanks for reading. If you found anything you enjoyed, be sure to LISTEN/BUY/SHARE and help support these wonderful artists and labels. Much love.

Red Pants – Not Quite There Yet

The art and music of Jason Lambeth has been a constant presence in my life since I discovered his band Red Pants through their 2022 album When We Were Dancing, released via Bay Area DIY tape label Paisley Shirt Records. Working in collaboration with fellow Madison, Wisconsin resident Elsa Nekola, the duo have spent the last few years creating a sound world that is truly their own, pushing the DIY aesthetic to its outer limits with a soaring blend of drone, noise and pure melody.

With layers of guitars and psychedelic keys building a home for Lambeth’s softly sung vocals, and Nekola’s propulsive, urgent rhythms driving the music ever forward, Red Pants’ new album Not Quite There Yet is both their strongest work to date and first to be pressed to vinyl, thanks to their link up with the Madrid based label Meritorio Records.

Across Not Quite There Yet, Red Pants pull off that rarest of feats of sounding for the most part purely like themselves. Whilst echoes of the fuzzed out indie of the likes of Yo La Tengo and Stereolab still remain in places, Red Pants have filtered these influences into something completely fresh and totally now. To label this album as noise-rock is to do a disservice to the hope and light at the heart of its lyrics and melodies, whilst to call it indie-pop would undermine the grit and raw power that pulses through Lambeth’s heady guitar lines.

Highlights are plentiful, and each listen reveals new sonic treasures to lose yourself in. Watch The Sky contains some of Lambeth’s most emotionally charged playing to date, whilst album closer Quiet Eyes’ shifting dynamics shine a light on the truly unique synergy that exists between the two players. Nekola herself sings lead on the stirring Rockwell Kent, and this song is an absolute wonder. This tribute to the gifted American artist & voyager is centred around a hauntingly beautiful vocal that transcends into a soaring, shiver inducing chorus.

Not Quite There Yet is the most fully formed, immersive album that Red Pants have released to date. A wonderful collision of garage-psych urgency and pure pop flourishes that capture you from the very first listen, leaving lasting images and impressions that will keep you coming back again and again. An absolute triumph, and totally essential listening from two of the absolute best out there doing it.

Order via Meritorio Records here.

Life In The Jangle Is Hard…

In what is a slightly new way of doing things here at heavymetalkids.uk, I will now be occasionally providing a round up of some of the beautiful sounds I have happened upon/been sent/been alerted to over the last few weeks. Some I’ll dig more than you, some you may even enjoy more than me, but it’s all good that much is certain…

Soft Science – Lines (Shelflife/Spinout Nuggets, out now)

There is a mid-eighties sheen to the production of this spellbinding album that puts me in mind of UK bands such as The Wake or The Chameleons, but shot through with an unmistakable California dreampop cool that is very much of the now. Treading a path somewhere between fellow CA bands such as Seablite and Massage, but with an added darkwave element bringing just a hint of danger, the addictive melodies and crystalline guitar lines make for a particularly satisfying listen.

Big Cry Country – Living Conditions (self-released, out now)

Big hooks and memorable melodies abound on this debut EP from Washington DC based quartet Big Cry Country. The songs centre around vocalist Roxanne Bublitz’s recent move from DC to Brooklyn, and the turmoil and anxiety that such a life altering move can bring. Whilst the soaring chorus’s and glistening production may paint a vivid pure pop-punk portrait there is also a very real depth to these recordings, with multiple layers bubbling away beneath the surface that are sure to capture even the hardest of hearts. Very cool artwork too.

Single Lash – Ladida (self-released, out now)

Sophisticated, dark-hearted jangle and synth textures are at the forefront of this Austin, Texas based project, hitting a similar spot (in my mind at least) to those wonderful White Rose Transmission albums that Carlo Van Putten (The Convent) and Adrian Borland (The Sound) combined to make in the mid to late nineties. The album is built around the stirring songwriting prowess of Nicolas Nadeau, whose searching lyrics frequently cut to the bone, whilst the guitar/flute contributions of Neil Lord & Kristine Reaume (Joys Union Group) create whole worlds for the listener to lose themselves in. All of these elements combined make for a bitter-sweetly satisfying whole that demands repeated listening.

Jared Leibowich – Secret Spells (bruit direct disques, out now)

This is the kind of wildly inventive DIY indie-pop that almost makes me wish I had an extra pair of ears to help take it all in. Melodies for days and harmonies The Beach Boys would be proud of, with a psychedelic, almost baroque edge that at times reminds me of Papercuts’ wonderful Past Life Regression LP from last year. Music that works it’s magic at any time of day or night, both rousing and comforting in equal measure.

Look.Up. – Dear William (self-released, out now)

The self proclaimed ‘audio graffiti’ of mysterious UK based artist Look.Up is heady, intoxicating stuff. This latest cut, the William Shatner sampling Dear William, is a pulsing electronic rumination on the fragility of life, built on a foundation that brings to mind the expansive house/techno arrangements of The Mix era Kraftwerk. The bio talks of Look.Up’s time spent working in the music industry and the bitter taste it left, and this project is very much the sound of an artist breaking free from the ties that bind, following their heart to a brighter future.

Thanks for reading. If you found anything you enjoyed, be sure to LISTEN/BUY/SHARE and help support these wonderful artists and labels. Much love.

Cindy – Standard Candle Demos

If I was to be sent to a desert island for the remainder of my stint here on Earth and was allowed just one album for company, this is the one I would choose, no question. There is something incredibly comforting about the thought of knowing that this would be the only music I could ever hear.

Standard Candle Demos was first released in November 2021 by Paisley Shirt Records as a companion piece to third Cindy album 1:2, and comprises home demos mostly recorded by Karina Gill alone, with occasional assistance from friend and Flowertown collaborator Mike Ramos. Since it’s initial release I have regularly returned to it and with each listen its stature has grown, to a point where I now consider it one of the most important parts of my entire music collection.

Some of these songs would be destined for this years Why Not Now? album and here, in their purest form, August and The Price Is Right in particular are epic in their starkness. Other tracks, such as Nothing To It and Standard Candle #2 are currently only available via these recordings, with every inch of their initial inspiration laid bare. The compilation only Thin As Flags is also featured here in a remarkable take that shines a light on Gill’s beautifully understated guitar work.

These songs in this form have become the soundtrack to the parts of my life that nobody else can see or understand, and they bring calmness and clarity when all I feel around me is chaos. If I’m too excited to sleep I reach for this album to bring me back to Earth. If I’m feeling low or lost I reach for this album to help me find my centre. Whatever is happening in my life, I can always rely on these songs to guide me home.

The recordings are lo-fi and even more so than Cindy’s core catalogue require the fullest time and commitment of the listener. At times it feels as if the slightest breeze could blow these arrangements away completely, but in truth I often feel that way about myself too. There is power and beauty in vulnerability however, and this is truly some of the most powerful, beautiful music I have ever heard.

Out now via Paisley Shirt Records.

LISTEN/BUY/SHARE:

Vinyl edition via Sloth Mate Productions here.

UK exclusive order link here.

Further reading:

(Article originally posted June 26th 2023.)

The Reds, Pinks & Purples – Murder, Oral Sex & Cigarettes

Three years on from my introduction to both Glenn Donaldson and the wider Bay Area underground scene thanks to the wonderful Red, Pinks & Purples collection You Might Be Happy Someday, I still get an unmatched tingle of excitement whenever a new EP or album quietly arrives online.

This time out it’s the dramatically titled Murder, Oral Sex & Cigarettes EP, encompassing six new RPPs cuts to cry to. Recorded, as is normal, mostly by Donaldson alone, there are some shifting dynamics at play this time out with the addition of Lewis Gallardo’s aching slide guitar on Use This Song If You Need One, and Clay Ruby’s devastatingly emotive piano on the showstopping finale Late To The Party.

Ever prolific, and with the promise of a UK tour hanging tantalisingly in the near future, there has never been a better time to let The Reds, Pinks & Purples into your heart. These timeless homespun creations go far beyond the labels of jangle or indie-pop, carrying with them the power to move all who hear them, with words to which we can all relate and melodies to soundtrack the wildest or saddest of days. As essential as ever.

LISTEN/BUY/SHARE:

Dancer – As Well

These days, I find myself falling in and out of love with post-punk. Maybe it’s over-familiarisation or just me being too tired to be angry enough to enjoy it fully, but something really has to grab my attention if I am to step away from the jangle and get my punk stomp back on.

Step forward then Glasgow four-piece Dancer, whose new EP As Well has been pushing all the right buttons. Comprising members of Nightshift, Current Affairs, Order Of The Toad and Robert Sotelo, the band breathe new pop-infused life into post-punks wiry frame, and fill it with heart, soul and no little swagger.

For all the deft instrumental interplay and driving rhythms at play across the EPs five tracks, it’s vocalist Gemma Fleet who truly elevates these songs with her razor sharp delivery and deadly turn of phrase. The deadpan spoken introductions to each song are a masterstroke, and the whole thing shimmers along urgently on a wave of energy and raw power.

Recorded live-to-tape with absolutely no fuss or flab, tunes like Love and Pulp Thriller aren’t afraid to face up to the messiest, hardest parts of trying to navigate the never ending-ness of now, and I for one am grateful that Dancer are here to help us through.

Out now via GoldMold Records

LISTEN/BUY/SHARE:

The DIY’s and Wherefores of Red Pants…

There is an indelible homespun warmth that surrounds the work of Madison, Wisconsin based artist Jason Lambeth. From family oriented DIY music videos to the sketches and collages shaped so beautifully into handcrafted zines, Lambeth has established himself not only as a key figure in the underground independent scene, but as a rather splendid human being to boot.

With layers of droning guitars and psychedelic keys building a home for his softly sung melodies, and the propulsive rhythms of bandmate Elsa Nekola driving the music ever forward, Lambeth’s noise-rock project Red Pants are about to release their strongest work to date, and first to be pressed to vinyl.

New album Not Quite There Yet arrives October 27th via Meritorio Records, and ahead of its release Jason very kindly agreed to answer some questions for heavymetalkids.uk:


Hi Jason, thank you for talking to heavymetalkids.uk! I was wildly excited to learn that the new Red Pants album Not Quite There Yet would be getting the full vinyl treatment courtesy of Meritorio Records. How did the link up with this fine Madrid based label come about?

Hey Fran, thanks so much for having me!
Connecting with Meritorio was surprisingly simple. Álvaro messaged me and asked if I would like to work on something. I was already quite a fan of Meritorio’s releases from the last few years and jumped at the chance to work with them. And as luck would have it, Elsa and I were just about to finish up the recording and mixing the new album. It all came together relatively quickly after the first couple of messages.

I first became aware of your work early last year with the release of When We Were Dancing, due to it coming out via my favourite San Francisco label Paisley Shirt Records. As a Madison, WI resident, how did this Bay Area connection arise?

I quickly became a Paisley Shirt fanboy back in 2019 when I bought a cassette of the Sad Eyed Beatniks album, Music From Big White. I was doing my own tape label at the time and I felt an immediate kinship with what Kevin was doing with Paisley Shirt. Kevin and I became internet friends and when I was lamenting to him about not having time to do my own label, he offered Red Pants a spot on the Paisley Shirt roster and I took him up on the opportunity. There’s no doubt that working with him opened a lot of doors for us and I am so thankful we got to work together.

Red Pants – Another Haircut (Paisley Shirt Records)

The Red Pants origin story seems to date back to around 2018. Can you tell me a little about how the project started, and how you arrived at working with the quite brilliant Elsa Nekola?

Red Pants began after I had taken about 4-5 years off from making anything. It was a pretty busy break. My wife and I started a family and we started up an in-home daycare (which I still run). Once we had settled into this new life, I started tinkering with art and music again. I believe Elsa and I met way back in 2011. I was good friends with her husband and we met when they started dating. We played together a bit in 2013, but she moved away for grad school and I took my hiatus at around the same time. She moved back soon after I started putting stuff out as Red Pants and we picked up where we left off. Her Images project was one of the first things I put out on my short lived tape label!

I love the homespun/DIY nature of your work and enjoy checking out your drawings/collages just as much as I love hearing your music. How is it being an artist in 2023 and how important are your family to your creative process?

I feel pretty lucky to be making art and music in 2023. I know social media certainly has its pitfalls, but I have become friends with so many amazing artists and musicians thanks to it. I’m constantly inspired by what I see other people doing online. And it enables me to spread the word without having to leave my house.
The fam is most definitely a constant source of inspiration. It’s definitely evolved over the years from writing songs to or about my daughters, to seeing if I can get a rise out of them with how noisy I am being in the basement, to making art that annoys them. My older daughter always questions my choice of giving people two sets of eyes. It drives her nuts. It’s my best dad joke yet.

Red Pants – Watch The Sky (Meritorio Records)

Lastly, with the new album about to come out into the world, what are your hopes and aspirations for the record, and beyond?

I am just super excited for everyone to hear the album! Getting to put it out on vinyl with Meritorio has already exceeded all my expectations. Elsa and I are planning our first shows in four years. So, I am pretty stoked to play some backyard barbecues around Madison this fall!
Thanks again for having me and for all of your efforts to share great new tunes! The blog and radio show are definitely highlights of the internet!


With those incredibly kind words carrying me forward, I’m off to immerse myself once again in the wonderful sounds of Red Pants. Not Quite There Yet is the most fully formed, immersive album that Jason and Elsa have released to date. A wonderful collision of garage psych urgency and amber soaked melodies that capture you from the very first listen, leaving lasting images and impressions that will keep you coming back again and again. Be sure to also check out Jason’s other creative endeavours at https://www.jasonelambeth.com.

Pre order Not Quite There Yet here, and watch the Jem Fanvu (Vacant Gardens) directed video for On A Wire below.

Red Pants – On A Wire (Meritorio Records), directed by Jem Fanvu

With thanks to Jason Lambeth and Álvaro at Meritorio Records.

Are you feeling Lightheaded?

Combining the soaring melodies of sixties garage-pop with the bittersweet jangle of the late 1980’s DIY indie explosion, New Jersey based Lightheaded have been riding a tide of excitement and anticipation ever since news of their debut release for the revered Slumberland Records started circulating. Their EP Good Good Great! arrives 13th October and ahead of its release Cynthia and Stephen from the band very kindly agreed to talk to heavymetalkids.uk:


Having been engrossed in the San Francisco underground now for a good few years, it’s been cool finding and falling for an East Coast group for once! Can you tell me a little about New Jersey, and the Indie scene over there?

The first two places that come to mind for New Jersey music are Asbury Park and New Brunswick. We’ve both been playing in the Asbury Park area since around 2010. There’s not really any bands that are stylistically playing the same type of jangly, twee music or like baroque girl group stuff are we are, but there’s a lot of bands doing really cool guitar based rock and pop stuff that we are huge fans of. 

This has helped us out a lot with filling in band members, it’s how we found Sara, who is our third core member. She had a cool dream pop project called Teen Idle and we booked her at the house venue that we lived at on the Jersey Shore (the Pop Club) with 2nd Grade as her first show. We talked a little bit afterwards and sorta was able to add her to the mix not too long after her first gig.

I’m interested in the lightheaded origin story as it seems to have had a few twists and turns along the way. How did you guys come together initially, and how did you arrive at the line up as it is now?

We actually played a show in Asbury around 2010 or so, then formally met in 2016 outside of a basement show. in New Brunswick. We immediately started writing songs like madmen over that period of time, but stopped the project for about a year and a half. Then, sort of right before the pandemic, we found our way into each other’s lives to launch our songwriting partnership again. We already mentioned Sara, but we’ve had a bunch of drummers over the past few years from a ton of great New Jersey bands like Nylon, the Ergs!, and Ogbert the Nerd, but are rocking with the bassist of one of our all time favorite NJ bands, Starcleaner Reunion, as our drummer. Adam rules!

Good Good Great! is officially your first release. I have however seen demo tapes come and go, and have even heard rumours of full albums being briefly made available in the past. You guys must have a fair amount of material ready to go??!

Yeah, it’s been a little weird for us with material, to be honest! We had all those initial songs saved up which we wrote from the period that we met over half a decade ago, and Cynthia really wanted to get that batch out before we began anything else. So, we have a full debut album about to be pressed on vinyl, the EP coming out on cassette now, planning a single release after, and the second album already written. Lol we are busy boys and girls! But again, we have been a band for so long, and when you write the way that we do, filling in the gaps for each other, it feels really easy to write songs that we like.

The EP is coming out via the wonderful Slumberland Records, which seems like a perfect fit for you guys. How did this connection come about, and how does it feel seeing your work released on such an esteemed independent label?

IT’S THE BEST! It feels like everything that we like musically, that came out since Slumberland started in 1989… has released music on Slumberland! The Aislers Set is such a huge inspiration for us, the Pains of Being Pure at Heart too, even stuff like Stereolab… I mean, they got the Clientele on a 7 inch, for god’s sake! Even the lesser talked about bands like Pants Yell or Nord Express are some of our most listened to and favorite records.

The connection came about pretty much all thanks to one wonderful individual. Stephen was really obsessing over The Umbrellas at the end of last summer and sort of reached out to Morgan (Morgan Stanley, The Umbrellas guitarist/vocalist) to let her know about it. She was wonderfully kind and receptive to his fanboying, and talked about playing a show together one day, which Stephen took as an open invitation to make happen ASAP. We flew over to California to play some shows over Thanksgiving and we were REALLY hoping Mike (Mike Schulman, Slumberland Records) would be there to check us out, but… he wasn’t lol. Regardless, he must have heard something from someone, and we think it was good things from Morgan.

Finally, what’s next for lightheaded? What are your hopes and ambitions for the EP and beyond?

One of the things we are really inspired by is bands like the Screaming Females, who just played their final state in the United States, Alaska. We really want to use the band as a way to take us places around the world and meet new people. We’re really hoping to tour Europe over the summer. We are going to go back to California to see our friends and the people we met the first time we visited that meant so much to us, and inspired a whole bunch of new songs, and even just our outlook when we got back.

We want to keep on writing songs that we really love, together, and to see the world with the bands we love, like what happened with The Umbrellas. We want to connect with more people through our music and build experiences with people we look up to and admire.


With my ears still ringing from some fine new music recommendations and a new found understanding of the roots of one of the most exciting new bands I have discovered this year, I’m off to immerse myself in the after-hours jangle of Mercury Girl once more, and wait patiently for Good Good Great! to land. Be sure to check that out here.

With thanks to Cynthia Rittenbach and Stephen Stec.

Ship Full Of Bombs ep.5

My fifth radio show is now available for streaming/download: https://www.podbean.com/eas/pb-6z732-14c254e

Alternatively, you can visit http://www.sfob.co.uk and scroll down to the widget at the bottom of the page.

Lastly, you can find the show by searching for Ship Full Of Bombs at Apple Podcasts, Google Podcasts, Deezer, Mixcloud and all other leading podcast apps.

Playlist: Monday 9th October

1) seablite – Melancholy Molly

https://mtstmtn.bandcamp.com/album/lemon-lights

2) Red Pants – Watch The Sky

https://redred.bandcamp.com/album/not-quite-there-yet

3) The Laughing Chimes – Zoo Avenue

https://prefectrecords.bandcamp.com/album/the-best-of-the-laughing-chimes-e-p (UK)

https://thelaughingchimes.bandcamp.com/album/laurel-heights (US)

4) The Smashing Times – Glorious Tales Of Wes

https://thesmashingtimes.bandcamp.com/album/this-sporting-life

5) Silk Cuts – Foxes

https://silkcuts.bandcamp.com/album/virginia-foxes

6) Dancer – Love

https://goldmoldrecords.bandcamp.com/album/as-well

7) The Hillmisters – Stars

https://hillmisters.bandcamp.com/album/collected-recordings-2007-2010

8) Yes Today – If Only (demo)

https://yes-today.bandcamp.com/album/2022-demos

9) Milk Boys – Cracked Tile Rhymes

https://milkboys.bandcamp.com/album/two

10) The Reds, Pinks & Purples – Build Love

https://theredspinksandpurples.bandcamp.com/album/build-love

11) Tony Jay – Just My Charm

https://tonyjay.bandcamp.com/album/perfect-worlds

12) The Woods – Gorgeous Weather 

https://woodsmodernharmonic.bandcamp.com/album/so-long-before-now

13) Cindy – Caller 103

https://cindytheband.bandcamp.com/album/cindy

14) Yea-Ming & The Rumours – Ruth

https://yea-ming.bandcamp.com/album/so-bird

15) Renovator’s Delight – Miranda

https://renovatorsdelight.bandcamp.com/album/bark-all-night

16) Felt – Fortune

17) Broadcast – Michael A Grammar

18) Hattie Cooke – Don’t Wanna Talk

https://hattiecooke.bandcamp.com/album/bliss-land-2

19) Apostille – Rely On Me

https://apostille.bandcamp.com/album/prisoners-of-love-and-hate

20) Rat Columns – Life In The Jungle

https://ratcolumnsband.bandcamp.com/album/babydoll

21) Empty Country – David

https://emptycountry.bandcamp.com/album/empty-country-ii-2

22) lightheaded – Love Is Overrated

https://areyoufeelinglightheaded.bandcamp.com/album/good-good-great

23) The Gabys – Gardens

https://allgonelabel.bandcamp.com/album/s-t-2

24) Smile Too Much – Lasties 

https://dandyboyrecords.bandcamp.com/album/smile-too-much

25) Carla Dal Forno – Stay Awake

https://carladalforno.bandcamp.com/album/come-around-2

26) Katsy Pline – Guess I’m Always Leaving

https://takeaturn.bandcamp.com/album/incandescent-fire